Taobao

When the image becomes self-delusion. ERD becomes a symbol. Black heavyweight cotton. The front carries a nine-panel grid of black and white photographs, framed by text on three sides — an arrangement that reads less like a garment graphic and more like a page...

The head is a camera. The pig was the rehearsal. Benny’s Video is a 1992 film by Michael Haneke. Benny is fourteen. He owns a video camera. He watches the world through it — including footage of a pig being killed with a bolt...

Black heavyweight cotton. Red, white, and cream print, front and back. Front: Upper left, stacked text in three lines combining bold and script styles: BUKOWSKI, in bold red caps; below in mixed script/italic red: memoën dün; below in loose handwritten-style white: vieux dégoûlasse (French:...

The front is a column. The back is a report. On the left side of the front, two white image blocks are stacked vertically: a figure near a window in the upper frame, a figure seated or collapsed in the lower one. Between and...

Black heavyweight cotton. White and red print, front and back. Front: Upper left in small italic: comprendre (French: “to understand”). Dominating the left side, the numeral 5 repeated three times vertically in large bold type, alternating in white and red, descending the left edge....

Black heavyweight cotton. White print, front and back. Front: Upper left in lowercase: erd. Below, a loose collage composition — a central figure of a dancer in a dress, rendered in high-contrast silkscreen, suspended mid-motion. Around the dancer, scattered abstract shapes: organic blobs, egg-like...

This one looks like it was pulled off a wall. The front of this ERD zip-up carries a large white panel print — a blurred, close-cropped face or mask at the top, and below it a dense block of white body text styled like...

This one looks like it came out of a zine that was photocopied until the image started to break down. The base is black heavyweight fleece, bleached at the seams, cuffs, and hem in washes of blue-white — not a symmetrical pattern, not a...

The text is cut up. The photos are tilted. The sentence never finishes. Slate blue ground, low-saturation, the color of a sky that can’t decide whether it’s overcast. All printing in near-black — no color contrast, only tonal. The front opens with e r d in...

The front inverts a name. The back degrades a painting. Both are deliberate. On the front left chest, a square image: two figures, heads close, caught in a moment of intimacy or whisper, printed in high-contrast black and white. Beside the image, rotated and...

Black heavyweight cotton. Cream/off-white print, front and back. Front: Upper left, in bold display serif: EL PICO. Below, a wide horizontal photographic panel — a group scene, multiple figures in close proximity, rendered in high-contrast grainy screenprint style. Below the image, a small text...

White heavyweight cotton. Gray print. A square-framed composition fills the front: inside, a high-contrast photographic image of a figure in a field or outdoor setting — partially obscured by large abstract ink splatter marks that consume the upper and lower portions of the frame,...

White heavyweight cotton. Black and red print, front and back. Front: Left chest — a small circular logo: a round crosshair or target sight with a bird silhouette (resembling a crosshairs/scope reticle) at center. Minimal, clean, printed in black. Back: Upper back in large...

Same girls. Different hour. Black heavyweight cotton. Same composition as the white version — the assembled-letter word overhead, the two figures eating instant noodles below — but on black, everything shifts. The white version reads like afternoon. This one reads like 2am. The word:...

Depressed rich kids. Eating instant noodles. White heavyweight cotton. The front carries one word at the top and two figures below it, and the combination is the most deadpan thing ERD has made. The word: EnFAnTs Mixed case — some letters capitalized, some not,...

Black heavyweight cotton. Full-front warm-toned photographic print of a female figure — dark hair, partially unclothed, shot in soft focus with a vintage pin-up quality. The image fades at the edges into the black ground. Above the figure in gold-yellow lowercase: enfants. Overlaid across...

White heavyweight cotton. Black and khaki photographic collage print, center front. The composition layers two figures: a man in sunglasses smoking in the foreground, partially overlapping a framed image behind him containing a second figure. Overlaid on the framed image, a text block reads:...

The front opens with script. Haticire pour Givmes — in cursive white lettering, the kind that belongs on a funeral announcement or a love letter that ends badly. Below it, a portrait: a woman in dramatic monochrome, framed inside a tight black rectangle, bisected...

Black heavyweight cotton. Cream and blue print, front and back. Front: A framed square composition, center-left. Inside: a close-up, high-contrast photograph of a pair of eyes — wide open, staring, printed in cream on black with a heavy xerox quality. Above the frame in...

The name. The figure. The instruction. Black heavyweight cotton. The front carries three things, arranged loosely across the surface as though placed rather than designed: the brand name broken into three lines at the top, a hand-drawn figure on the right, and a two-part...